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How to Fix up a Heavy Dubstep Reece lead – Secrets Revealed
Dubstep, techno and drum and bass producers will at some point want a heavy Reece bass for there next dance floor anthem. The Reece bass is the classic ‘dirty bass’ sound. From the more subtle terrorist Reece to the intense alien girl Reece they all have a similarity. The saw tooth wave.
So to start off with, get a multi oscillator synth (ideally 3 or 4 oscillators) like the albino, logic’s ES2, Massive etc. You will want to set the first oscillator and all the other oscillators to the saw tooth wave form. There are many harmonic frequencies in the saw tooth, The normal waves ramps upward and then drops sharply. There are also sawtooth waves where the wave ramps down and then rises sharply. That kind of sawtooth wave is called a ‘reverse sawtooth’ or ‘inverse sawtooth’. As signals, the two variations of the sawtooth sound the same until paired together.
Once you have got your multi oscillator synth running with 3 oscillators, the next step in the process is to detune one or 2 of the oscillators by around +/- 25cents, this is essential for drum and bass and dubstep. This gives the Reece a very dark edgy sound, rather than just a flat buzzing sound.
Once you have got your detuned saw tooth, (this is essentially the basis of the Reece) – You can go ahead and start changing and shaping the noise for your type of music, dubstep or drum and bass. Here are some of the main parameters you can use:
ASDR on the filter
A nice way to get a movement on the Reece bass is to add envelope to the filter section, Reece bass patches are extremely responsive to filters and using a high pass you can get a very fat sounding lead, or use a low pass and get a very driven bass. try using around 20% of filter attack for dubstep and 30% for drum and bass.
Phase
Because of the harmonic phases all ready occurring due to the multiple oscillation, adding an external phaser effect can and does work pretty good. It’s better to use a sparse amount of phase to subtly enhance the sound rather than extreme amounts
Flange
The flange effect can add a nice bit of subtle metallic rasp to the sound, this helps gives you a big bad dubstep sound.
Delay
The delay effect can make a Reece sound huge! Pre drop delayed Reece bass can add a very tense build up.
Reverb
Again minimal uses of reverb can act very aggressively on your noise, Guitar amp reverbs tend to work well with Reece bass and also come packed with distortion for extra bite.
Other effects that add madness to your Reece include: Distortion, compression, LFO and auto filters work especially well with dubstep.
In summary, it is best to process your Reece bass a lot for dubstep and drum and bass programming. It’s a well used if not over used sound, so to make it stand out you will have to get creative with your sound programming skills – Filters act in the biggest way and reverb is king!
Find out more about the production of dubstep. talk about dubstep and get dubstep tips at our dubstep forum
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